HANDICRAFT
We have already touched upon 'education through activity' in its wider implication, as the discovery of living centres of educational interest, through contact with which the real value of book learning may be perceived by the pupil. In the present section we treat this aspect of education in its narrower sense of manual occupation.
The realistic trend of teaching which very many children will require in the secondary stage will be anticipated in the primary school. The practical arts cannot be taught here merely as a relief or diversion; because they will form the background to the later education of all those pupils who are found to respond best to teaching which is largely based upon manual activity. Nor is this the only reason why the realistic element in the curriculum of the primary school should be emphasised. As we have remarked elsewhere, the conditions of modern industry are such that there is little inducement even for the skilled craftsman to develop that high degree of persistence and will-power which was essential when the same craftsman had to see one complete job through from its beginning to its end. Not only, therefore, have the schools to lay a foundation of technical skill and of sympathy for pure handicraft, but, so far as possible, they have to make up for this deficiency in the later industrial training of their pupils. (28) This task must be begun in the primary school if it is to become a dominant factor in the secondary.
The methods of craft teaching acquire a further positive value as soon as we perceive that the attitude of mind which craft teaching should induce is the mental attitude that is most healthy for all learning. The central fact about craft work is that it is an active pursuit with an end in view towards which, with the tools and material at his disposal, and with the wise guidance of his teacher, the child is finding his way. The good handicraft teacher does not give training in a routine process so that the pupil may acquire an instinct to cope with one set of conditions only; he seeks to give his pupil the power of finding ingenious solutions under all sorts of conditions. Furthermore, handicraft gives a meaning and a practical application to the teaching of design and the appreciation and use of colour. In the primary school, owing to the character of the materials that will be generally used and the way of using them, training in pattern making and elementary training in design are an inevitable consequence of handicraft teaching. (29) Handicraft has also a use, if in the primary stage a limited use, in illustrating the teaching of history and geography, and in helping children to learn arithmetic, geometry, and the elementary principles of physics; while, on the other hand, the story of the various crafts, being a significant part of the story of mankind, will provide valuable material for the pupil's reading when suitable books are available. Finally, there is a social significance in craft teaching, when the pupil sees the work on which he is engaged as typical of processes that have in past ages been devised by man to meet his living needs, and as the key to that vast and complex industrial machinery which the inventive genius of man has evolved out of these small beginnings.
The elaboration of craft practice is more particularly the concern of the secondary teacher, because, after the age of eleven, the special aptitudes of children can be discerned more clearly than in their earlier years. But such considerations as those which we have just mentioned make it important that, even in the primary stage, the crafts in which the children are occupied should be authentic and genuine crafts, or should lead up to genuine crafts, and that the jobs which they undertake should be complete jobs. The danger of craft practice degenerating between the years of seven and eleven into a mere pastime arises from two causes. On the one hand, with very young children the joy of making things, however trivial, is its own justification, and the character of the thing made is not important; it is therefore not surprising that there should be an inclination to ascribe to similar occupations in a later stage rather a negative than a positive value, and to use them merely as a relief to verbal methods of teaching. On the other hand, craftsmanship and manual occupation, as they are understood in the school workshop and garden, have traditionally been deferred until after the age of eleven. Thus, the years between seven and eleven may easily become, for real training in handicraft, almost a fallow time.
The fact is that the actual range of the manual occupations suitable for the primary school is not appreciably narrower than that of the secondary. The difference between the earlier and later stages of handicraft teaching is not one of kind, but of degree. There are few school crafts that may not have their beginning in the primary stage; and no craft is for this purpose greater or less than another. But some tools are more difficult or more dangerous to use than others, some materials are more intractable than others, and all materials are not readily obtainable in all districts. Within such limitations the teacher will make his choice; but primarily he will be guided by his own skill in some particular craft, and by his own love for it.
We assume that the primary school will contain a 'practical' room, or a space set apart for practical work, with suitable furniture and fittings; and that three or four hours in the week will be given to handicraft with drawing. (30) The existence of a workroom implies that the teacher's choice of crafts should not be indiscriminate, and that there should be a unity and a backbone of purpose in his scheme: it does not imply that prolonged occupation or fine work should be expected of very young children. The 'free' occupations of the infant school should lead, by easy and natural gradations, with steadily growing accuracy in observation, measurement and technique, to the more definitely ordered tasks of the later primary stage; they should also grow in reality, as the infantile joy in mere making begins to wane. In order that the teaching may not be discontinuous, much of what the child does for some time after leaving the infant school should, however, be directed by his own interests; he is far more likely to become acquainted with the broad principles that govern design and construction through experimenting with toys and moving machines, and by improvising models of them from strips, blocks, wheels and axles, than by making, to the teacher's design and measurement, trays and boxes out of paper and cardboard.
The important point is that, even in the primary school, the things which the children make should be worth making; and that, whatever the material the children are using, they should be engaged in a genuine craft. Thus, even the elementary occupation of modelling in paper and cardboard should form part of a graduated scheme which leads up to an authentic craft, the binding of books. (31) Many other things that involve the fundamental processes of bookbinding may be made by the way - not paper furniture and boxes, but real and useful things such as calendars, writing pads and cases, blotters and blotting pads, files and portfolios.
There are other materials, besides paper and cardboard, which are suitable for genuine craft practice in the primary school. Certain elementary forms of weaving in coloured thread, wool, and raffia on simple cardboard shapes will already have been attempted in the infant school; these are valuable in teaching colour and its harmonies, and they will be developed into the weaving of braids, girdles and scarves on small frames and table looms. These latter may be of such simple construction that they can be made by the children themselves. The light exercises involved in building the looms, the arranging of the warp threads, and the preparation of the shuttles to effect a prepared design, are, together with the actual process of weaving, tasks in line with tradition and rich in historical association.
Needlecraft is closely allied to weaving. It has a long history and tradition in the primary school. In the later changes that have come over the teaching of this subject, largely due to the greater use of the sewing machine, there has been much gain and a little loss. The wearisome repetition of processes, the use of fine materials and microscopic stitches, are things of the past. They have been replaced by the planning and making of complete articles, which call for manipulative skill and a general handiness in dealing with fabrics. Even young children are trained on production, and both in the arts of making and mending and in the nature of the materials used there is an air of usefulness. But there has also been some loss. In the needlework displays of primary school children a lack of finish and attractiveness may sometimes be apparent. Beauty of colour and design with a decorative use of stitches should be encouraged, and daintiness and accuracy can be secured without that fine sewing which proves an undue tax on eyesight. Perhaps the 'finish' of much of the older work may be revived, without producing articles that are tedious in the making or lacking in usefulness and desirability. Needlework in the primary school will include knitting, which is not only a household art but in some areas is connected with the local industries. The teaching of the other household arts of cookery, laundry, and various branches of housewifery, will be deferred until the secondary stage. Another craft, nearly related to weaving and even more primitive, is basketry. Here, the scope of the work will be more limited than in raffia working: willow will be found too intractable for young children, and they will be confined to cane.
The use of plastic material is general in the teaching of infants. In some districts, clay modelling may develop in the primary school into simple moulding and forms of coiled pottery in self-setting and potter's clays; and this may lead to the use of the potter's wheel. No craft affords a finer training in the appreciation of form; and no craft better illustrates man's ingenuity in subduing nature's resources to his own service by the use of his hands and a few rough tools. Like many others that we mention, its history also is rich in material for classroom study. Its practice, however, cannot be general because, if it is to have reality, some means of firing the pottery must be available.
Wood and metalwork mostly require the introduction of tools that are sharp and difficult to use. It may, however, be possible in some schools during the last two years to incorporate prepared wood and light sheet metal and wire in a variety of exercises that are connected with other crafts. Vices, hammers, screwdrivers, small saws, files, pincers and pliers can be used, as well as various measuring and gauging tools; and the fretsaw, for the making of models and toys out of plywood, is a great favourite with young boys. But this equipment should not form the basis of a course in which the different tools are introduced in systematic order: these should be regarded as standard aids to construction, to be used as they are found to be fitted for their purpose, at which times their special technique will be explained by the teacher.
Primary schools should have a garden, or a place, however small, where things may grow. A three year course, involving the simpler and lighter of the gardening operations, is possible. It will begin with flower gardening between 8 and 9, flowers and salads between 9 and 10, with the addition of a few vegetables and small bush fruit in the third year. With flowers may be grown various agricultural grasses, a small plot being given to each kind; and there should be a plot for bulbs. The sowing of seeds, thinning and transplanting, weeding, hoeing, watering and tending generally, teach the fundamental principles of life and growth. The pupils learn at first hand about nature and seasonal change; and the use of a fork, a trowel, a barrow and a small spade is not beyond their physical powers. Many great teachers of the past began their work in a garden; they found that it touched their indoor teaching at many points, and made it real. (32)
PHYSICAL TRAINING AND GAMES
The physical training recommended by the Board for elementary school children between the ages of five and fourteen includes systematic physical exercises based broadly on the Swedish system, outdoor games suited to the school playground and the playing field, dancing, swimming, and other forms of recreative activity.
A scheme of systematic and graded exercises was issued in 1909 by the Board of Education as a syllabus for the guidance of teachers, and was revised in 1919 in the light of ten years' experience of its use. The exercises included are carefully selected with a view to the circumstances in which they are employed, namely in the training of both boys and girls of varying degrees of physical strength and development, with due regard to the fact that they have in many instances to be taught together in 'mixed' classes often under unfavourable conditions and by teachers who are not experts in the subject. In the widespread introduction of a system of physical exercises to be applied in these circumstances it was essential to take account of individual differences of age and sex and so far as possible to ensure that nothing should be included which might make excessive demands upon the weakest child. It is probable, therefore, that in the Syllabus the physical capabilities of the children have been rather underestimated. Experience goes to show that with due care to avoid excessive repetition the exercises may be safely performed by children of comparatively weak physique.
The effects produced depend not merely on the character of the exercises, but in larger measure on the manner in which they are selected and performed. The Syllabus points out to teachers that the object of the training is to secure the careful and well-balanced development of the physical powers of each individual pupil, and that this result will be achieved not by mechanical methods but by appropriate adaptation to the capacity and needs of the particular class and even of each member of the class.
In the matter of the organisation of play, the Syllabus points out that the choice of games should be determined by the age, ability and physique of the players, and the actual conditions under which the game is to take place. A graded list of playground games is given in the Syllabus. Many of the simple games for the youngest children may be suitably played by boys and girls together. For the rather more complex games, suited to the older children in primary schools, in which a higher degree of skill and energy is demanded, it is the usual practice in 'mixed' classes, where numbers permit, for the boys and girls to organise separate games. (33) When the usual field games, football, netball, etc. are taken up, this separation of the sexes is generally complete. (34)
Ideally, it is doubtless desirable that children should be graded for physical training according to sex and age, and that individual children of very poor physique should be dealt with separately. With such a classification a greater degree of progress should be possible for the pupils. Unfortunately the normal school organisation precludes the complete attainment of this ideal. The usual class arrangements provide a fairly satisfactory classification by age. The organisation of the new schools for pupils over the age of eleven will generally permit of a grouping by sex, but that of the primary schools will not always allow of this, and in these schools continued reliance will need to be placed on the safeguards with reference to individual differences of sex and physique which the Syllabus provides, and which customary practice based now on considerable experience has established.
HEALTH EDUCATION
The majority of our witnesses were of opinion that health education must,